Auteur--
EditorVandenbroeck P.
Jaar2006
PublicatietypeAflevering
SerieJaarboek Koninklijk Museum voor Schone Kunsten Antwerpen
Volume2003
Subtitel--
Pagina’s217
UitgeverKoninklijk Museum voor Schone Kunsten
PlaatsAntwerpen
ISBN--
Citation key--
Trefwoorden--
Exemplaar48721 ReknummerT-12-5-a
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A Head on a Platter. The Johannesschüssel or the Image of the Mediator and the Precursor
9-42
Baert B. |
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Charles Félu (1830-1900), the painter without arms, "one of the most universally known figures of Antwerp" of his time
43-54
de Callatay F. |
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Swirling Troy. The Regenerative Power of the Projan Past
55-68
De Coene K. |
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Frans I and Ambrosius I Francken, painters of the metropolis Antwerp, and their alterpieces in the years just after the falle of Antwerp (1585-1589)
69-92
Peeters N. |
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A Particular Adoration. The 16th-century Feather Triptych Depicting The Adoration of the Magi in the Museo de America in Madrid
93-136
Vandamme I. |
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Genre Paintings as a Collective Process of Intersive Self-definition, c.1400-c.1800
137-194
Vandenbroeck P. |
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Wholeness is created in-between. Works by Peter Buggenhout and Christophe Denys
195-217
Van Loo S. |