Jaarboek koninklijk museum voor schone kunsten antwerpen 2006

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Jaarboek Koninklijk Museum voor Schone Kunsten Antwerpen 2006

Auteur--

EditorVandenbroeck P.

Jaar2008

PublicatietypeAflevering

SerieJaarboek Koninklijk Museum voor Schone Kunsten Antwerpen

Volume2006

Subtitel--

Pagina’s215

UitgeverKoninklijk Museum voor Schone Kunsten

PlaatsAntwerpen

ISBN--

Citation key--

Trefwoorden--

Plaatsgegevens

Exemplaar71596 ReknummerT-12-5-a

Inhoud

Foreword 6-7
Huvenne P.

Pitcher and Comb : Verena of Zurzach and the possibilities and limitations of iconology 9-25
Baert B.

Verena virgo , pp. 10-13
Tomb, attribute, image : the imaginary cluster , pp. 13-16
Implantations and procreations , pp. 16-20
Prolegomenon to an anthropology of the attribute , pp. 20-23
By way of conclusion: some marginal notes on a methodology , pp. 23-24
Summary , p. 25

Artful Business: Henri De Braekeleer (1840-1888) and Gustave Coûteaux 27-41
Baetens J.D.

Gustave Coûteaux: Banker and connoisseur, maecenas or businessman , pp. 28-30
Pacta sunt servanda: dealing with a dealer , pp. 30-31
Artful business , pp. 32-34
An exclusive art lover , pp. 35-37
The colour of money , pp. 37-38
Conclusion , pp. 38-40
Appendix , p. 41

The museum of the academicians: an international gallery of renowned artists from the 19th century 43-67
Cardyn-Oomen D.

Obstacles between intention and reality . Budgetary restraints, Tough negotiations between the academy and the member artists , pp. 46-48
International fame , pp. 48-61

Dark Ladies from below : paradoxical perceptions in black madonna cults and miracles: the case of our lady of Halle 69-93
Vandamme I.

Black madonnas: cult statues and devotion , pp. 71-73
A la recherche des vierges noires , pp. 74-75
The Goddess , pp. 75-77
Mary Mediatrix in popular devotion , pp. 77-79
Our lady of Halle: the black madonna with the canon balls , pp. 79-83
Water motifs , pp. 83-84
The power to give and take life , p. 84
The miracle of resurrection , pp. 84-86
And his shackles suddenly broke open , pp. 86-87
Liminal , p. 88
Tree-well-eye , pp. 88-89
Halle and Hella , pp. 89-90
Psycho-corporeal experiences , pp. 90-91
Conclusion , pp. 92-93

Genre paintings as a collective process of inversive self-definition, c. 1400-c. 1800 : 2. peasant iconography and the concept of culture 95-160
Vandenbroeck P.

The first function : the mythic image of the vilain in courtly culture, 12th-14th centuries , pp. 96-100
The second function : the satirical image of the peasant : creation and role of the literary peasant type , pp. 100-102
The first pictorial fashion : monumental representations of peasant labour in courtly culture, c.1400-early 16th century , pp. 103-108
The turnaround : monumental peasant festival iconography in tapestry art, c.1490-c.1600 , pp. 108-117
An elucidating parallel between representations: the peasant type in courtly and urban masquerades, 15th-18th centuries , pp. 117-124
The peasant in the eyes of townspeople: feasting, entertainment, corporeality . The peasant wedding, The peasant festivals, , pp. 125-147
The monumental mode of the 17th century , pp. 147-155
The fourth pictorial fashion : the idyllic and elevated peasant, c.1740-1840 , pp. 155-160

Eros resonating between passion and com-passion in some borderlinking-in-differenciating/borderlinking-in-differentiating paintings by Titian and Bracha L. Ettinger: an artistic dialogue between the 16th and the 20th/21st centuries 163-215
Van Loo S.

Titian and Ettinger , pp. 172-180
Titian , pp. 180-191
Bracha L. Ettinger , pp. 192-215

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