Antwerp royal museum annual

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Antwerp royal museum annual

Auteur--

EditorVandenbroeck P. De Saegher R.

Jaar2009

PublicatietypeAflevering

SerieJaarboek Koninklijk Museum voor Schone Kunsten Antwerpen

Volume2007

Subtitel--

Pagina’s175

UitgeverKoninklijk Museum voor Schone Kunsten

PlaatsAntwerpen

ISBN--

Citation key--

Trefwoorden--

Plaatsgegevens

Exemplaar75915 ReknummerT-12-5-a

Inhoud

Noli me tangere or the untouchable body : five exercises in the prohibition on touching 8-21
Baert B.

The Murals of the Beguinage Chrurch of St Agnes in Sint-Truiden: Function, Meaning and Context 23-77
Bergmans A.

Discovery in 1860 : renewed interest in medieval murals , pp. 26-33
The decoration of the choir (Consecration crosses, The three apostles of the Transfiguration, a mystic and eucharistic dimension) , pp. 33-37
The murals on the triumphal arch (The Last Judgement, The Coronation of Mary: a mystical interpretation, Saint Chrisopher, bearer of Christ, Mary Magdalene, bearer of Christ) , pp. 37-49
Artistic context , pp. 49-51
Role models in the nave (The life of Mary: an apocryphal story, Women Saints, Hubert and Francis, Memento Mori : The Young man and Death) , pp. 51-65
Painted from prints? , pp. 65-66
From Zepperen to Sint-Truiden: the hand of the artist , pp. 66-67
Patrons - patronesses , pp. 73-74

Contributions to the well-being of art: The patronage of Artibus Patriae between 1895 and 1945 78-101
Glassé J.

The importance of auctions to the purchasing policy of Artibus Patriae , pp. 92-93
The importance of the connoisseur , pp. 93-97
Private collections and museum collections , pp. 97-99
Epilogue: A general cultural network in Antwerp , pp. 100-101

The Christ nailed to the Cross triptych by Gerard David: a painted altarpiece with carved figures on the outside? 103-119
Steyaert G.

Sharing a table with strangers : the conception of man, behavioural codes and alterity in the new iconography in tapestries from the southern Netherlands around 1500 121-153
Vandenbroeck P.

A la manière de Portugal et de Indie: the European fascination with exotic cultures around 1500 , pp. 121-124
The 'Condemnation of Banquet': hygienics, social code and morality , pp. 137-152

Tapestries of the Cathedral of Palencia in the Musées Royaux d'Art et d'Histoire in Brussels: Bishop Fonseca, the sale of the canvases and the magnate Hearst 154-175
Zalama M.A. & Martínez Ruiz M.J.

The Flemish tapestries of the cathedral of Palencia , pp. 159-169
Tapestries coming from the Cathedral of Palencia acquired by W.R. Hearst, now in the Musées Royaux d'Art et d'Histoire in Brussels , pp. 169-175

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