On dead colour
8-80
Van Hout N.
- Dead colour and dead colouring: the meaning of the term in different languages
, pp.
12-18
- 'Aanleggen' - 'beleghsel' - 'maniera lavata'
, pp.
18-19
- Dead colour and its appearances
, pp.
19-20
- Rough versus detailed dead colouring
, pp.
20-23
- Dead colour and binding medium
, pp.
23-26
- Dead colour and pigments of a lesser quality
, pp.
26-27
- The organisation of the painting process
, pp.
27-29
- Dead colouring with base colours
, pp.
29-32
- The chronology of dead colour
, p.
32
- The underpainting of flesh tones
, pp.
33-34
- The underpainting of blue areas
, pp.
34-36
- The underpainting of green areas
, pp.
36-37
- The underpainting of red and pink areas
, p.
38
- The underpainting of purple areas
, pp.
38-40
- Underpainting in grisaille and brunaille
, pp.
40-46
- Dead colour as a studio effort
, pp.
46-49
- Dead colour and drying time
, pp.
49-5
- 'Any stage of a picture short of its intended completeness'
, pp.
50-56
- 'Any stage of a picture short of its ultimate vivacity'
, pp.
57-63
- 'Alterstil' - 'Non finito'
, pp.
63-66
- 'Non finito' in less important areas
, pp.
66-67
- Improvisation
, pp.
67-73
- Re-dead colouring, 'alla prima' painting and 'ten eersten opdoen'
, pp.
74-77
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