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Antwerp royal museum annual

Auteur--

Editor--

Jaar2012

PublicatietypeAflevering

SerieJaarboek Koninklijk Museum voor Schone Kunsten Antwerpen

Volume2010

Subtitel--

Pagina’s180

UitgeverKoninklijk Museum voor Schone Kunsten

PlaatsAntwerpen

ISBN--

Citation key--

Trefwoorden--

Plaatsgegevens

Exemplaar102382 ReknummerT-12-5-b

Inhoud
Wild is the Wind : Pathosformel and Iconology of a Quintessence 9-47
Baert B.
  • Wind and Hermeneutics , pp. 10-12
  • The Wind as a Pathosformel: The Warburg Paradigms , pp. 12-19
  • Pneuma and the Annunciation , pp. 19-29
  • 'The Girl Danced'. Salome and the Head of John the Baptist , pp. 29-35
  • Infused with Matter and Deliquescence , pp. 35-41
  • Some Concluding Thoughts: Wind/Web/Membrane or Arachne's Wendepunkt , pp. 41-46
International Style in Mechelen : the Wall Paintings from C. 1400 in the Tower of St-John's Church 48-84
Bergmans A. & Buyle M.
  • Iconographic aspects . St Christopher , pp. 52-57
  • Iconographic aspects . St George , pp. 58-62
  • The artistic context , pp. 62-64
  • Related wall paintings , pp. 64-67
  • Costume history , pp. 67-70
  • Style , pp. 70-73
  • An artist from Mechelen? , pp. 73-76
  • Patron and purpose , pp. 76-77
  • So who might have commissioned the paintings? , pp. 77-81
Ars longa vita brevis : Altar Decoration and the Salvation of the Soul in the Seventeenth Century 85-111
Herremans V.
  • Altars and the Notion of Salvation of the Soul in the Seventeenth Century , p. 86
  • The Decoration of the Resting Place for the Body of Christ , pp. 87-88
  • Altars and Indulgences , pp. 88-90
  • Altar Decoration as a Form of Charity , pp. 90-91
  • De cappella gentilizia , pp. 91-100
The 'Nameless Motif': On the Cross-Cultural Iconography of an Energetic Form 112-180
Vandenbroeck P.
  • The 'nameless motif' in domestic weaving art from the Maghreb and the Mediterranean world , pp. 116-118
  • Textile art: 'naming' the nameless motif , pp. 118-121
  • 'In her abdomen throbbed the little hedgehog of her womb'. The prickly sphere , pp. 121-124
  • A key mythical figure: the Medusa or Gorgo , pp. 124-126
  • The Evil Eye and the phallic gaze , pp. 126-132
  • The goat's skin and the waterskin , pp. 132-138
  • Another elusive spectre: the 'ghula' , pp. 138-140
  • The abominable Gorgo and the virginal Athena , pp. 140-142
  • 'Gorgonian' dance and jewels , pp. 142-144
  • Another cross-cultural excursion: From the Near to the Far East and to Pre-Columbian America , pp. 144-148
  • The nameless motif in weaving: A cross-cultural perspective , pp. 148-149
  • The 'nameless motif' in European art , pp. 149-150
  • An imageless image of 'creative energies' , pp. 151-153
  • The non-man-made or acheiropoietic image of God and the divine aura , pp. 152-153
  • The abyssal face of the Creator , pp. 153-156
  • The 'transposed' energetic body as a site of the 'nameless motif': altar, monstrance, exposition throne , pp. 156-157
  • Exposition thrones , pp. 157-159
  • The monstrance , pp. 159-162
  • The 'other' side of white sacrality: The terryfying manifestation of the matrix , pp. 162-164
  • 'Concealed' articulations of the 'nameless motif' , pp. 165-166
  • The profane body: Attire and jewellery , pp. 166-167
  • Interior decorations , pp. 168-169
  • Returning to textile art and flowers , pp. 169-173
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