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The notion of the painter-architect in Italy and the Southern Low Countries

Auteur--

EditorLombaerde P.

Jaar2014

PublicatietypeBoek

SerieArchitectura Moderna

Volume11

Subtitel--

Pagina’s24+311

UitgeverBrepols Publishers

PlaatsTurnhout

ISBN9782503548500

Citation key--

Trefwoorden--

Plaatsgegevens

Exemplaar113748 ReknummerT-3-4-b

Inhoud
Introduction. Painter-architect or painter & architect? 9-24
Lombaerde P.
  • The definition of the architect and the status of architecture among the arts in Italy , pp. 10-11
  • The status of the architect in the Low Countries , pp. 11-12
  • Disegno , pp. 13-14
  • De versatility of the painter-architect , pp. 14-16
  • The artist's house and studio , pp. 16-19
  • Architecture as a theoretical matter , pp. 19-21
  • Sculptor-architects in the Southern Low Countries , pp. 21-22
  • Is the painter-architect different from the architect? , pp. 22-24
Painter-Architects in Italy during the Quattrocento and Cinquecento 1-8
Burns H.
Die universale Zeichnung ("disegno") des Künstlers und/versus die "graphidis scientia" des Architekten 9-38
Oechslin W.
  • Zuccaris vereinheitlichende Formel eines alle Künste gleichmässig bestimmenden dissegno , pp. 9-12
  • Graphidis Scientia: die Rekonstruktion der Architekturzeichnung aus Vitruv , pp. 12-16
  • Der Konsens des disegno in dessen universaler Bedeutung , pp. 16-22
  • Die Universalität der Künste und die heilsgeschichtliche Perspektive , pp. 22-28
  • Ars triplex - der (versöhnliche) Zirkelschlag und die Vereinigung der Künste in der Poetik , pp. 28-33
  • Scienza", Universalität: Mathematik und Poesie vereint , pp. 33-38
Sebastiano Serlio as a Painter-Architect 39-57
Frommel S.
  • The first testimonies of Serlio's figurative art , pp. 40-42
  • A religious subject with a wide artistic development: the "Adoration of the Magi" , pp. 42-48
  • Serlio's "Adoration of the Magi and the Shepherds" , pp. 48-55
  • Serlio as provider of architectural models in figural arts in France , pp. 55-56
  • Serlio's suitcase , p. 57
Vignola, a Serious Training: Painting, Perspective, Architecture 59-72
Adorni B.
From Lodge to Studio: Transmissions of Architectural Knowledge in the Low Countries 1480-1530 73-88
Kik O.
  • Stylistic Novelty as Motivator , pp. 74-76
  • Designing Architecture , pp. 76-77
  • The missing link? Goldsmith-engravers , pp. 77-81
  • Family Matters , pp. 81-86
  • Workshop Drawings , pp. 86-87
Humanae Societati Necessaria: The Painted Façade of the House of Frans Floris 89-125
Wouk E.H.
  • The Material Evidence , pp. 90-97
  • The Painter as Architect , pp. 98-101
  • Ornamenting the Artist's House , pp. 102-105
  • Disegno and Art Theory in the North , pp. 105-110
  • The Northern Tradition , pp. 110-121
  • Michelangelo and the Legacy of Floris's Façade , pp. 121-124
  • Rubens's 'Palazzo' , pp. 124-125
Wensel Cobergher (1556/61-1634): Painter, Antiquarian, Architect 127-147
Meganck T.L.
  • An antiquarian painter as court architect , pp. 127-131
  • Paintings and patronage in Naples , pp. 131-134
  • Contacts with Neapolitan antiquarians and naturalists , pp. 134-136
  • The Roman Circle , pp. 136-140
  • Paintings in Brussels and Antwerp , pp. 140-142
  • Restoring the Spanish Netherlands , pp. 142-146
On the Peripatetics of the Sixteenth-Century Sketchbook 149-160
Heuer C.P.
Painting and Painted Architectures in Genoa: What Peter Paul Rubens Probably Saw 161-182
Musso S.F.
  • A singular and ancient 'phenomenon' , pp. 162-163
  • Historical or artistic origins and reasons , pp. 163-166
  • Painted decorations: models and derivations , pp. 167-170
  • Subjects, themes, stories and intentions , pp. 170-176
  • What Rubens certainly saw but did not explicity or completely record , pp. 176-177
  • Painted facades: architectures and not 'canvases' , pp. 177-179
  • Open questions and new research direction , pp. 179-182
Frans Geffels, Rubens and the Palazzi di Genova 183-199
Girondi G.
  • Geffels in Mantua , pp. 184-185
  • The palace of the marquis Ottavio I Gonzaga di Vescovato at Portiolo : possible stylistic connections with the house and the villa of Francesco Zanetti , pp. 185-189
  • The palace of Benedetto Sordi and the house of Pompeo Salvi , pp. 189-194
  • The palace of the marquis Odoardo Velenti Gonzaga , pp. 194-199
Rubens, Architectural Space and Light 201-222
Lombaerde P.
  • Scenographia , pp. 201-208
  • Trompe l'oeil , pp. 211-213
  • Optics and light , pp. 214-221
Reflections on the Digital Reconstruction of the Portico and Garden Pavilion of the Rubens House 223-236
Boeykens S.
  • The Building Information Modeling Methodology , pp. 224-226
  • Elaboration of the 3D Reconstruction , pp. 226-230
Rubens: The Ingenious Master as an Architect? 237-264
De Staelen C.
  • Architecture in Ruben's oeuvre , pp. 240-246
  • Significance of architecture , pp. 246-249
  • Rubens and the Italian and Southern Low Countries's treatises of architecture , pp. 249-250
  • Italy . Serlio , pp. 251-253
  • Italy . Barbaro , pp. 253-254
  • Italy . Philander , p. 254
  • Italy . Vignola , p. 257
  • Italy . Michelangelo , pp. 257-259
  • Southern Netherlands . Hans Vredeman de Vries , pp. 259-260
  • Southern Netherlands . Francart , pp. 260-263
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