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ZKK Zeitschrift für Kunsttechnologie und Konservierung 32/2

Auteur--

Editor--

Jaar2018

PublicatietypeAflevering

SerieZKK Zeitschrift für Kunsttechnologie und Konservierung

Volume32/2

Subtitel--

Pagina’s155-326

UitgeverWernersche Verlagsgesellschaft

PlaatsWorms am Rhein

ISBN--

Citation key--

Trefwoorden--

Plaatsgegevens

Exemplaar125281 Reknummer33

Inhoud
Work in Progress. 19th century cartoons: bridging utility and aesthetics 155-166
Eyb-Green S.

The Crucified Christ of Lopud, Croatia. A Unique Early Import of Mexican Polychromed Sculpture Made of Maize Stalks 183-200
Amador P. F., Decroly M., Glaude C., Indeku C., Marinkovic A., Marusic M. M., Matijevic J., Portsteffen H. & Sanyova J.
  • The Holy Cross Altar Commission and the Mexican Crucifix , pp. 184-186
  • Mexican sculpture made of maize stalks , p. 186
  • Trade and diplomatic connections with the Spanish Kingdom and related artistic commissions in late-sixteenth century Lopud , pp. 186-187
  • Technical findings on the making of the sculpture of the Crucified Christ , p. 188
  • Materials and construction in the context of Mexican lightweight sculpture , pp. 188-191
  • Investigation of the plant material , pp. 191-192
  • Material of the external and internal paper cover of the core , p. 192
  • Polychromy , pp. 193-195
  • Condition , pp. 195-196
  • The conservation treatment , pp. 196-197

Anfärbemethoden für Proteine und trocknende Öle an Gemäldequerschliffen: Ein Review 201-212
Lude U. & Schultz J.

'and then cut it up'. On the art-technological trail of the work process in Franz Marc's Large Landscape I 213-225
Walcher J., Stege H. & Klingsöhr-Leroy C.

'To stayne with molde': fifteenth-century English recipes for block stamping 226-232
Clarke M.

A comprehensive study into the early history of Beta-naphthol pigments - from synthesis to paint application. Part II: History of use in paint manufacture and artists' onlists' paints & analytical identification by Raman and SERS spectroscopy 233-258
Sessa C., Stege H., Neugebauer W. & Steuer C.
  • Documentary sources on the use of Beta-naphthol pigments and lake pirgments in paint manufacture (until c. 1956) , pp. 236-237
  • Analytical identification of Beta-naphthol pigments and lake pigments , pp. 237-246
  • Occurrences in works of art in commercial artists' paints (until today) , pp. 246-252

The Colour Merchant of Venice : Pigment and Non-Pigment Materials in the Inventory of Jacopo de' Benedetti (1594) 259-324
Krischel R.
  • Development and social standing of the pigment seller's profession , pp. 259-261
  • The Benedetti inventory , p. 261
  • Pigments , pp. 261-282
  • Non-pigment materials (Gypsum, Binding media, Mordants and tannins, Chemical substances of mineral origin, Brushes and stationery) , pp. 282-286
  • A word on the clientele , pp. 287-324
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