Auteur--
Editor--
Jaar2018
PublicatietypeAflevering
SerieZKK Zeitschrift für Kunsttechnologie und Konservierung
Volume32/2
Subtitel--
Pagina’s155-326
UitgeverWernersche Verlagsgesellschaft
PlaatsWorms am Rhein
ISBN--
Citation key--
Trefwoorden--
Exemplaar125281 Reknummer33
Work in Progress. 19th century cartoons: bridging utility and aesthetics
155-166
Eyb-Green S. |
The Crucified Christ of Lopud, Croatia. A Unique Early Import of Mexican Polychromed Sculpture Made of Maize Stalks
183-200
Amador P. F., Decroly M., Glaude C., Indeku C., Marinkovic A., Marusic M. M., Matijevic J., Portsteffen H. & Sanyova J.
|
Anfärbemethoden für Proteine und trocknende Öle an Gemäldequerschliffen: Ein Review
201-212
Lude U. & Schultz J. |
'and then cut it up'. On the art-technological trail of the work process in Franz Marc's Large Landscape I
213-225
Walcher J., Stege H. & Klingsöhr-Leroy C. |
'To stayne with molde': fifteenth-century English recipes for block stamping
226-232
Clarke M. |
A comprehensive study into the early history of Beta-naphthol pigments - from synthesis to paint application. Part II: History of use in paint manufacture and artists' onlists' paints & analytical identification by Raman and SERS spectroscopy
233-258
Sessa C., Stege H., Neugebauer W. & Steuer C.
|
The Colour Merchant of Venice : Pigment and Non-Pigment Materials in the Inventory of Jacopo de' Benedetti (1594)
259-324
Krischel R.
|